Between listening to music, working on my novel, and checking the Internet now and then this evening (O. J. Simpson is guilty, says the New York Times--the e-mail arrived not ten minutes ago), I found this article by Steven Millhauser about writing. Specifically, he compares and contrasts the short story and the novel. Some points he makes:
What the short story lacks in grandeur, it makes up for in elegance and grace. The short story is like William Blake's grain of sand: it becomes bigger than itself; it becomes bigger than the novel; it becomes as big as the universe.
The novel is exhaustive but the world is inexhaustible. The novel is ponderous. The novel is always hungry and dissatisfied; it fears coming to an end because then the world will run away from it. "The novel wants things. It wants territory. It wants the whole world."
Saturday, October 04, 2008
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About Me
- Theresa Williams
- Northwest Ohio, United States
- "I was no better than dust, yet you cannot replace me. . . Take the soft dust in your hand--does it stir: does it sing? Has it lips and a heart? Does it open its eyes to the sun? Does it run, does it dream, does it burn with a secret, or tremble In terror of death? Or ache with tremendous decisions?. . ." --Conrad Aiken
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Fave Painting: Eden
Fave Painting: The Three Ages of Man and Death
From the First Chapter
The Secret of Hurricanes : That article in the Waterville Scout said it was Shake- spearean, all that fatalism that guides the Kennedys' lives. The likelihood of untimely death. Recently, another one died in his prime, John-John in an airplane. Not long before that, Bobby's boy. While playing football at high speeds on snow skis. Those Kennedys take some crazy chances. I prefer my own easy ways. Which isn't to say my life hasn't been Shake-spearean. By the time I was sixteen, my life was like the darkened stage at the end of Hamlet or Macbeth. All littered with corpses and treachery.
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